From the Pastor – 13th Sunday in Ordinary Time
From the Pastor – 13 th Sunday in Ordinary Time
“Your abundance at the present time should supply their needs, so that their abundance may also supply your needs.” This is the fourth time in 2 Corinthians, chapter 8 that St. Paul addresses the issue of giving. What Paul is trying to explain is that the motivation for giving should be similar to God’s motivation for gifting us. In the passage which constitutes today’s Second Reading Paul says, “As you excel in every respect, in faith, discourse, knowledge, all earnestness, and in the love we have for you, may you excel in this gracious act also.”
In the original, Paul uses the old Greek word charis to describe the giving to which he is making reference. We can probably see that the roots of that word are very much the same as the roots of the word “charity.” Giving and sharing are definitely the work of God’s grace in us. In fact, our motivation should be very much the same as that of the Lord. He gives to us because of Who He is, not because of what or who we are.
We, too, must give if we wish to show holiness, or to at least aspire to it. That is also what we mean when we say that we are all called to stewardship, to be good stewards. It is one thing to be faithful, but it is another to give. At times we may think there are too many collections, but it is the results of these opportunities to give which support the Church’s work both locally and around the globe.
Pastoral Pondering
Last week I touched on the essential qualities of Sacred music: sanctity, beauty and universality. This week I would like to touch on the treasury of Sacred Music in the Church. Again, this material is taken from Archbishop Sample’s pastoral letter to the Diocese of Marquette, Rejoice in the Lord Always.
The early Church followed the patterns of music that were familiar to them. The Psalms of David were sung, and the human voice has always played an integral role in Judeo-Christian worship. From the early Church onward the treasury of Sacred music is quite large and covers millennia. Music that forms part of this treasury must possess the essential qualities mentioned above and must have the true nature and purpose of sacred music as understood by the Church.
The form of music that enjoys pride of place according to all official teaching is Gregorian chant which, according to Pope St. Pius X, has always been regarded as the supreme model for Sacred music. The Second Vatican Council reaffirmed this teaching of Pope St. Pius X by stating: “[S]teps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them (SC, 54). The Church acknowledges Gregorian Chant as especially suited to the Roman Liturgy. Therefore, other things being equal, it should be given pride of place in liturgical services )SC, 116).
In addition to chant, sacred polyphony is also appropriate for Liturgical worship. Again, Vatican II states: “other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action (SC, 116)…The treasure of sacred music is to be preserved and fostered with great care. Choirs must be diligently promoted” (SC, 114). For those who might not be familiar with it, polyphony is composed in a particular musical form and is most often associated with the Renaissance and composers such as Palestrina, Victoria, Tallis, Allegri and others.
Also to be included in the treasury of Sacred music is that body of popular sacred music including hymnody, psalmody, vernacular Mass settings, many of the Latin chant Mass settings, and other forms of sacred music suited to the musical abilities of the people. The Council states: “Religious singing by the people is to be intelligently fostered so that in devotions and sacred exercises, as also during liturgical services, the voices of the faithful may ring out according to the norms and requirements of the rubrics (SC, 118).
The Church maintains that there is an objective difference between Sacred and Secular music. Some music is simply not appropriate to the liturgy. That is not to say that such music has not been used, albeit erroneously, in some liturgical services in the past. I was listening to a podcast the other day, and the speaker was lamenting that when he was a teenager and participating in the music ministry of his church in Australia, they used a piece by Metallica for the recessional. Music that arises from pop culture, while it might be meaningful to a particular person or a group of people does not therefore qualify as Sacred music an is, therefore, not appropriate for liturgical worship.
Weddings and funerals tend to be the most fertile ground where these conflicts arise. However, having a basic understanding of what constitutes music appropriate for the liturgy helps avoid conflicts. In my experience, most liturgical musicians try to be accommodating, but there are standards that have to be maintained in order to preserve the integrity of the liturgical rites.